Кожаный костюм
Привет! 👋 Здесь я собрала все промпты к этой съёмке: модель, образ, десять кадров в разных локациях и видео из каждого 📸🎞️
Повторяйте, адаптируйте под себя и обязательно отмечайте меня в своих работах 🎬✨
Привет! 👋 Здесь я собрала все промпты к этой съёмке: модель, образ, десять кадров в разных локациях и видео из каждого 📸🎞️
Повторяйте, адаптируйте под себя и обязательно отмечайте меня в своих работах 🎬✨
Два референса, которые идут в каждый кадр: лицо модели и образ. Можно взять эти или подставить свои – например, свою модель или вещи своего бренда 🧥
Ultra-realistic studio portrait, model agency digital / polaroid test style. Front-facing, perfectly centered, symmetrical head-and-shoulders crop from mid-chest up, vertical 3:4 frame. Pure seamless white background, high-key soft even frontal lighting, large diffused source, very soft shadows under the chin and nose, no dramatic contrast. Shot on medium format, 85mm lens, f/8, razor-sharp focus on the eyes, true-to-life skin texture.
SUBJECT: a young woman, around 20–23 years old, Eastern European look, slender build with narrow delicate shoulders and visible collarbones.
FACE: soft oval face with a slight heart shape, youthful full cheeks, gently rounded jawline, small softly pointed chin. Very fair porcelain skin with a neutral-cool undertone, natural healthy glow, slightly dewy on the forehead, nose bridge and collarbones. Visible real pores and fine skin texture, faint natural redness around the nostrils and inner eye corners, no heavy retouching. One tiny dark beauty mark on her left cheek, low, near the corner of the jaw.
EYES: pale grey-green eyes, light and icy, slightly almond-shaped with heavy, slightly hooded lids, giving a half-lidded, sleepy, detached gaze looking straight into the camera. Lower white of the eye slightly visible under the iris. Natural lashes, thin softly smudged warm brown liner along the lower lash line, a sheer peachy-brown wash on the lids and under the eyes, glossy wet-look lids. Dark, straight, natural brows, partly hidden under the bangs.
NOSE: straight, slim nose bridge, small softly rounded tip, slightly upturned, narrow nostrils.
LIPS: full, plush lips, the lower lip noticeably fuller, soft defined cupid's bow, natural muted nude-pink color, lightly moisturized, lips closed and relaxed in a subtle pout.
HAIR: jet-black, glossy, sleek straight hair, center part, falling well past the shoulders to the chest, smooth with a soft natural shine. Long wispy see-through bangs, piecey and separated into strands, falling to the eyelashes and slightly into the eyes, longer at the sides framing the cheekbones. A few fine flyaway hairs at the shoulders.
EXPRESSION: neutral, cool, calm, emotionless model stare, no smile, editorial attitude.
WARDROBE: simple black cotton camisole tank top with thin spaghetti straps and a scoop neckline, no jewelry, no accessories.
STYLE: clean minimal beauty / casting shot, natural "no-makeup" makeup, photorealistic, high detail, editorial fashion photography.
Avoid: plastic smooth skin, airbrushed look, heavy makeup, smile, head tilt, colored background, dramatic shadows, extra accessories.
Keep the face, identity and look of the woman from @image 1 exactly: very fair porcelain skin, pale grey-green half-lidded eyes, full natural nude-pink lips, long glossy jet-black straight hair with a center part and wispy piecey bangs falling to the lashes. Dress her in the exact outfit from @image 2, no changes.
OUTFIT (@image 2): cropped caramel-tan leather moto jacket with a stand-up collar, snap tab at the throat, front zip, curved cropped hem, cream-white leather panels on the shoulders, sides and sleeves; wide-leg caramel-tan leather trousers with large cream-white diagonal panel inserts on the thighs and shins; worn cognac-brown leather belt with a square silver buckle sitting low on the hips; pointed-toe greige-taupe leather ankle boots with thin high stiletto heels. Matte natural leather texture with soft creases and visible seams.
MODEL (@image 1): tall, slim, long-limbed. She is the only person in the frame.
POSE: she half-reclines across the back seat of a car, upper body slumped diagonally against the back of the rear seat on the left side of the frame, shoulders and head resting against the cushion and the corner by the rear window. Head turned in a three-quarter profile to the right, gaze directed up and out toward the side window, calm, detached, slightly bored expression, lips relaxed and closed. Both legs raised high toward the front of the cabin: her left leg bent at the knee, calf near vertical, boot heel resting on top of the front seat headrest; her right leg extended long and almost straight on a strong diagonal up to the upper right corner, boot close to the headliner beside the right front seat. The wide trousers slide down slightly, showing the boot shafts. Long black hair spills over the cream seat back and her shoulders, bangs over the forehead. Arms relaxed along her body on the seat.
LOCATION: interior of a 1970s American vintage sedan. Cream ivory leather seats with channel-stitched quilting and thin dark navy piping, cream padded door panel with chrome trim strip and chrome handle, chrome window frames, black fabric headliner and dark pillars, rear window on the left with thin defroster lines, front seats and headrests in cream leather on the right. Through the windows: bright overcast sky with white clouds and a few patches of blue. No text, no badges, no logos.
CAMERA & FRAMING: horizontal 16:9 frame, ultra-wide 20–24mm lens, camera low at back-seat level from the opposite rear corner, looking forward along her body toward the raised legs. Her head and torso on the left third, legs cutting a bold diagonal from the center to the upper right, the front passenger seat back close in the right foreground, partly cropped by the frame edge. Slight wide-angle perspective stretch on the legs, natural vertical lines.
LIGHTING: soft diffused overcast daylight through all windows, bright airy cabin, even light on the face, outfit and upholstery, gentle soft shadows, windows slightly overexposed, clean warm-neutral color palette of cream, caramel, tan and black.
MOOD: quiet, effortless, slightly careless editorial fashion moment, relaxed sprawl inside a vintage car.
STYLE: photorealistic high-end fashion editorial, crisp sharp focus on the face, leather outfit and boots, detailed skin, leather and upholstery texture, clean digital image.
AVOID: changing her face from @image 1 or her outfit from @image 2, hats, sunglasses, hair accessories, stockings or tights, black dress, extra people, extra legs or fingers, distorted anatomy, harsh contrasty shadows, grain, text, logos.
Quiet fashion film moment, one continuous take, soft overcast natural grade, photoreal high-end editorial look, slow dreamy rhythm.
Animate the input image. Keep the woman's face, identity, pale skin, black hair with bangs and her caramel-and-cream leather outfit and boots exactly as in the image, as well as the vintage car interior, the composition and the soft daylight.
She half-reclines on the back seat of the vintage sedan with her legs raised onto the front seat backs, exactly as in the image. The car is driving slowly through a city, soft blurred buildings and pale overcast sky glide steadily past the side windows. She slowly turns her head to the camera, meets the lens with a calm, detached, slightly bored look, then lets her gaze drift away back to the window. Her raised legs sway almost imperceptibly with the car's motion while both boots stay resting in place, her arms stay relaxed and still on the seat. The camera makes a slow, smooth push-in toward her face with a faint, gentle road vibration.
Soft diffused overcast daylight fills the cabin, no direct sun, no flash. Quiet, effortless, slightly careless luxury fashion mood.
Keep face, hair, skin tone and outfit identical in every frame, stable body proportions, natural hands and fingers, smooth realistic motion, no warping of the legs or boots. No text, no titles, no logos, no watermarks.
Keep the face, identity and look of the woman from @image 1 exactly: very fair porcelain skin, pale grey-green eyes, full natural nude-pink lips, long glossy jet-black straight hair with a center part falling past the chest, and wispy piecey bangs falling to the lashes. Dress her in the exact outfit from @image 2.
Use @image 3 ONLY for the pose, location, composition and camera angle. Do not take the model, her hair or clothes from @image 3.
MODEL (@image 1): tall, slim, long-limbed.
OUTFIT (@image 2): cropped caramel-tan leather moto jacket with a stand-up collar, snap tab at the throat, front zip, curved cropped hem exposing the midriff, cream-white leather panels and stripes on the shoulders, sides and sleeves; wide-leg caramel-tan leather trousers with large cream-white curved panel inserts on the thighs; cognac-brown leather belt with a square silver buckle sitting low on the hips; pointed-toe greige-taupe leather ankle boots with high heels. Matte natural leather texture with soft creases and visible seams. A silver ring on her finger.
POSE (@image 3): she runs down the middle of the road toward the camera on a slight diagonal, caught mid-stride: right foot touching the asphalt, left leg kicked back and bent at the knee, boot heel up. Arms bent at the elbows and swinging, hands loosely clenched. Long black hair flying back over her shoulder from the movement, bangs lifted by the wind. Face sharp, serious and focused, eyes looking ahead past the camera, lips closed. Wide trousers billowing around her legs.
SECOND PERSON: in the left foreground, close to the camera, an elderly woman of about 75 with short silver-grey hair, small pearl stud earring, wrinkled fair skin, calm serious expression, face in three-quarter profile looking to the left, walking out of frame. She wears a grey-brown herringbone tweed coat with wide lapels and a brown-and-cream zebra-print scarf wrapped around her neck. She is cropped by the left and bottom edges of the frame, filling the left third, and does not notice the running girl.
LOCATION (@image 3): an empty London-style city street on a grey day. On the left, a long black wooden hoarding fence along a pale stone pavement with a curb, double yellow lines along the curb, a cycle lane with a white painted bicycle symbol and a solid white line, white dashed lane markings receding into the distance, smooth grey asphalt. Black lamp posts along the pavement, modern glass and stone buildings far down the street. No cars, no other people, no readable text, no logos.
CAMERA & FRAMING: horizontal 16:9 frame, 35mm lens, camera at eye level standing on the road, documentary street-photography style. The elderly woman large and close on the left, the running model in the center-right in full body, the street lines leading diagonally to the upper right. Both people in focus, natural depth.
LIGHTING: flat soft overcast daylight, no direct sun, even light on both faces, slightly cool muted grey palette, the caramel outfit and the zebra scarf as the main accents. Subtle matte film-like color.
MOOD: candid, cinematic street moment, contrast between calm everyday life and sudden fashion energy, a girl rushing past an indifferent passer-by.
STYLE: photorealistic high-end fashion editorial in a documentary street-photo manner, crisp sharp focus on both faces, detailed skin, leather, tweed and asphalt texture, clean digital image.
AVOID: changing her face from @image 1 or her outfit from @image 2, more than two people, cars, motion blur on the faces, extra limbs or fingers, distorted anatomy, readable text, logos, harsh flash, heavy grain.
Candid cinematic street fashion moment, one continuous take, soft overcast muted grade, photoreal high-end editorial look, energetic but smooth rhythm.
Animate the input image. Keep the young woman's face, identity, pale skin, black hair with bangs and her caramel-and-cream leather jacket, trousers and heeled boots exactly as in the image, as well as the elderly woman in the foreground, the empty street, the black fence, the road markings, the composition and the soft daylight.
The young woman keeps running down the middle of the road toward the camera and slightly to the right, picking up speed: quick, light steps on her heels, arms bent at the elbows and swinging in rhythm, long black hair flying back over her shoulders, the wide leather trousers billowing around her legs. Her face stays serious and focused, eyes looking ahead past the camera. She grows larger in the frame as she approaches but stays fully inside it. The elderly woman in the left foreground stands still, looking off to the left with a calm face, and only at the very end slowly turns her head to follow the running girl. The camera stays almost static with sharp focus on the running girl, the elderly woman slightly soft in the foreground.
Soft diffused overcast daylight, no direct sun, no flash. Sudden quiet energy cutting through a calm everyday street.
Keep both faces, the young woman's hair, skin tone and outfit identical in every frame, stable body proportions, natural running gait with correct alternating legs, natural hands and fingers, smooth realistic motion, no warping of the legs, boots or face. No other people, no cars. No text, no titles, no logos, no watermarks.
Keep the face, identity and look of the woman from @image 1 exactly: very fair porcelain skin, pale grey-green eyes, full natural nude-pink lips, long glossy jet-black straight hair with a center part falling past the chest, and wispy piecey bangs falling to the lashes. Dress her in the exact outfit from @image 2.
Use @image 3 ONLY for the pose, location, composition and camera angle. Do not take the model, her hair, clothes or any text from @image 3.
MODEL (@image 1): tall, slim, long-limbed. She is the only person in the frame.
OUTFIT (@image 2): caramel-tan leather moto jacket with a stand-up collar, snap tab at the throat, front zip, cream-white leather panels and stripes on the shoulders, sides and cuffs; wide-leg caramel-tan leather trousers with large cream-white curved panel inserts on the thighs; cognac-brown leather belt with a square silver buckle; pointed-toe greige-taupe leather ankle boots with thin high stiletto heels. Matte natural leather texture with soft creases and visible seams. One chunky polished silver ring on her finger. In this frame only the jacket is visible.
POSE (@image 3): she stands in the street right next to a parked car, leaning in close toward its rear side window, using the dark glass as a mirror. Body turned toward the car, head tilted slightly forward, face in three-quarter view, eyes focused on her own reflection in the glass. Her right hand raised to her mouth, applying a pale nude-pink lipstick in a silver tube to her lower lip, lips slightly parted, concentrated, absorbed, unbothered expression. The hand and lipstick slightly motion-blurred from the movement. Black hair falls forward over her shoulders, bangs over the brows.
LOCATION (@image 3): a narrow wet Manhattan-style street on a rainy grey day. On the left, a glossy dark navy-black sedan fills almost half of the frame, its tinted windows and chrome trim reflecting the brick buildings, scaffolding and a yellow taxi. Behind her, a long line of yellow taxis and dark cars with headlights on coming down the street, wet asphalt with soft reflections, old brick and stone buildings on both sides, green sidewalk scaffolding sheds with metal poles and small warm lamps on the right, grey overcast sky at the end of the street. No readable text, no logos, no license plates.
CAMERA & FRAMING: horizontal 16:9 frame, ultra-wide 16–20mm lens, handheld, camera very close to her at shoulder level, slightly behind and beside her, shooting past her face along the side of the car down the street. Her head and shoulders big and close on the right side of the frame, cropped at the chest, the car's side window on the left, deep street perspective converging to the center. Strong wide-angle perspective, background slightly soft but readable.
LIGHTING: flat soft overcast rainy daylight, slightly cool grey tones, even light on her face, glossy reflections on the car and wet asphalt, small warm bokeh dots from taxi headlights and street lamps. Natural color with yellow taxis and the caramel jacket as the main warm accents.
MOOD: candid, spontaneous street-style moment, a private beauty ritual in the middle of a busy city, effortless and cool.
STYLE: photorealistic high-end fashion editorial in a documentary street-photo manner, crisp sharp focus on the face and eyes, detailed skin, leather texture and car reflections, clean digital image.
AVOID: changing her face from @image 1 or her outfit from @image 2, extra people, other people's faces in reflections, extra fingers or hands, distorted anatomy, readable text, brand names, taxi logos, license plates, harsh flash, heavy grain.
Candid street-style fashion moment, one continuous take, soft overcast rainy-day grade, photoreal high-end editorial look, calm unhurried rhythm.
Animate the input image. Keep the woman's face, identity, pale skin, black hair with bangs and her caramel-and-cream leather jacket exactly as in the image, as well as the dark sedan, the wet city street, the composition and the soft daylight.
She stands close to the side of the dark car, leaning toward its rear window and using the glass as a mirror, exactly as in the image. She glides the pale nude-pink lipstick slowly along her lower lip, then calmly lowers her hand away from her mouth and gently presses her lips together, her eyes staying focused on her reflection in the glass the whole time. In the tinted window yellow taxis slide past in the reflection, and down the street behind her the line of taxis and cars creeps slowly forward with headlights on. The lipstick tube and her fingers keep their shape throughout. The camera stays almost static with a light, natural handheld sway.
Soft diffused overcast daylight, damp reflections on the car and asphalt, no direct sun, no flash. Effortless, private, cool city mood.
Keep face, hair, skin tone and outfit identical in every frame, stable body proportions, natural hands and fingers, smooth realistic motion, no warping of the lips, hand or lipstick. No text, no titles, no logos, no watermarks.
Use the body, proportions, very fair porcelain skin tone and long glossy jet-black straight hair of the woman from @image 1. She is seen from behind, her face is not visible. Dress her in the exact outfit from @image 2.
Use @image 3 ONLY for the pose, location, composition and camera angle. Do not take the model, her hair or clothes from @image 3.
MODEL (@image 1): tall, slim, long-limbed. She is the only person in the frame.
OUTFIT (@image 2): cropped caramel-tan leather moto jacket with a stand-up collar, sharp structured shoulders, curved cropped hem, cream-white leather panels on the shoulders, back and sleeves; low-rise wide-leg caramel-tan leather trousers with cream-white curved panel inserts on the sides of the legs, back pockets with tan topstitching and small rivets; cognac-brown leather belt; pointed-toe greige-taupe leather ankle boots with high heels. Matte natural leather texture with soft creases and visible seams.
POSE (@image 3): she stands with her back to the camera, right next to the side of a parked car, body turned slightly to the left, head bowed forward and tilted toward the rear window as if looking inside the car. Weight on one leg, the other leg relaxed, feet slightly apart. One hand tucked into the front trouser pocket, the other arm hanging loosely along her body. The cropped jacket reveals a strip of bare lower back above the belt. Long black hair falls straight down her back to the shoulder blades.
LOCATION (@image 3): a quiet European city street on a grey day. A clean silver 1990s German four-door sedan parked along the curb, filling the frame from left to right, with the trunk lid wide open. A white paper takeaway coffee cup with a lid standing on the car roof. Behind the car, a large wall of pale beige limestone blocks, a thin metal handrail running along it, a strip of grey stone plinth at the bottom, a sidewalk paved with small grey cobblestones. Dark grey asphalt in the foreground. No text, no logos, no badges on the car, no license plates.
CAMERA & FRAMING: horizontal 16:9 frame, 35–50mm lens, camera at eye level, straight-on view of the side of the car, calm frontal composition. The model full body in the center of the frame, slightly overlapping the rear door, the open trunk on the right, the car hood cropped by the left edge. Everything in sharp focus, flat graphic composition.
LIGHTING: soft flat overcast daylight, no direct sun, gentle reflections on the silver car body, even light on the outfit, cool muted palette of silver, beige stone and grey asphalt with the caramel outfit as the only warm accent.
MOOD: quiet, cinematic, slightly mysterious everyday moment, effortless cool, a story without a face.
STYLE: photorealistic high-end fashion editorial in a calm street-photo manner, crisp sharp focus on the outfit, hair and car details, detailed leather, stone and metal textures, clean digital image.
AVOID: changing her outfit from @image 2, showing her face, turning to the camera, other people, car brand badges or logos, readable text, license plates, distorted anatomy, extra limbs, harsh contrasty shadows, heavy grain.
Quiet cinematic street fashion moment, one continuous take, soft overcast cool muted grade, photoreal high-end editorial look, slow calm rhythm.
Animate the input image. Keep the woman's figure, pale skin, long black hair and her caramel-and-cream leather jacket, trousers and heeled boots exactly as in the image, as well as the silver sedan with the open trunk, the coffee cup on the roof, the limestone wall, the composition and the soft daylight.
She stands with her back to the camera beside the silver car, exactly as in the image. She slowly shifts her weight from one leg to the other, her hand stays resting at her lower back in the same place, and her head turns just slightly toward the car as if glancing inside. Her face stays hidden from the camera the whole time. A light breeze barely stirs the ends of her long black hair, and the open trunk lid sways almost imperceptibly. The coffee cup stays still on the roof. The camera is static with an almost invisible slow push-in.
Soft diffused overcast daylight, gentle reflections on the silver car body, no direct sun, no flash. Calm, slightly mysterious, effortless everyday mood.
Keep hair, skin tone, body and outfit identical in every frame, stable body proportions, natural hands and fingers, smooth realistic motion, no warping of the car, legs or boots. She never turns to face the camera. No other people. No text, no titles, no logos, no car badges, no license plates, no watermarks.
Keep the face, identity and look of the woman from @image 1 exactly: very fair porcelain skin, pale grey-green eyes, full natural nude-pink lips, long glossy jet-black straight hair with a center part falling past the chest, and wispy piecey bangs falling to the lashes. Dress her in the exact outfit from @image 2.
MODEL (@image 1): tall, slim, long-limbed. She is the main subject of the frame.
OUTFIT (@image 2): cropped caramel-tan leather moto jacket with a stand-up collar, snap tab at the throat, front zip, curved cropped hem exposing the midriff, cream-white leather panels on the shoulders, sides and sleeves; low-rise wide-leg caramel-tan leather trousers with large cream-white curved panel inserts on the thighs; cognac-brown leather belt with a square silver buckle; pointed-toe greige-taupe leather ankle boots with high heels. Matte natural leather texture with soft creases and visible seams. A silver ring on her finger.
POSE: she stands still on a small concrete pedestrian island in the middle of a big intersection, full body, facing the camera with the body turned very slightly to the side. Weight on one leg, the other leg relaxed, feet close together. One hand tucked into the front trouser pocket with the thumb out, the other arm hanging loosely along her body. Head bowed, eyes lowered to the ground, calm, pensive, withdrawn expression, lips closed. Long black hair falls straight over her shoulders, bangs over the brows.
LOCATION: a wide empty New York-style downtown intersection on a grey wet day. Several broad zebra crosswalks with thick white stripes converge around her island from different directions, dark wet asphalt, round iron manhole covers, a metal grate in the island. Behind her, a massive dark modernist office tower with a strict black grid facade and glass windows at street level. Grey metal poles with yellow traffic lights and pedestrian signals glowing with a red hand, street signs, green mailboxes, trash cans, a fire hydrant on the sidewalk. A few small distant passers-by walking on the far sidewalks, out of focus. No readable text, no logos.
CAMERA & FRAMING: horizontal 16:9 frame, 35mm lens, camera at eye level standing on the crosswalk, straight-on. The model in the center in full body, the crosswalk stripes leading diagonally toward her from both sides, the dark tower filling the upper half. Model sharp, background slightly soft.
LIGHTING: flat soft overcast daylight, no direct sun, even light on her face and outfit, damp reflections on the asphalt, cool muted palette of charcoal, grey and white stripes, small warm accents of yellow traffic lights and red signals, with the caramel and cream outfit as the main warm color.
MOOD: quiet, introspective, cinematic moment of stillness in the middle of a city that keeps moving, lonely and elegant.
STYLE: photorealistic high-end fashion editorial in a calm street-photo manner, crisp sharp focus on the face, outfit and boots, detailed skin, leather, asphalt and concrete textures, clean digital image.
AVOID: changing her face from @image 1 or her outfit from @image 2, cars on the road, crowds, people close to her, readable text on signs, logos, distorted anatomy, extra fingers or hands, harsh contrasty shadows, heavy grain.
Quiet cinematic street fashion moment, one continuous take, soft overcast muted city grade, photoreal high-end editorial look, slow calm rhythm.
Animate the input image. Keep the woman's face, identity, pale skin, black hair with bangs and her caramel-and-cream leather jacket, trousers and boots exactly as in the image, as well as the wide intersection, the crosswalks, the dark office tower, the composition and the soft daylight.
She stands still on the small concrete island in the middle of the intersection, exactly as in the image: head bowed, eyes lowered to the ground, one hand in her trouser pocket, the other arm hanging loosely. She barely moves, only a faint, natural breath in her chest and shoulders, the hand in the pocket stays in place. The camera, at chest height, makes a slow, smooth arc around her of about 30 degrees from left to right, keeping exactly the same distance to her, so she stays in the center while the background shifts with natural parallax. Only at the very end she slowly raises her head and looks straight into the lens with a calm, quiet gaze. Behind her a few distant passers-by keep walking along the far sidewalks, the traffic lights and pedestrian signals keep glowing, the crosswalk stripes, the tower and the street keep their shape and correct perspective throughout the move.
Soft diffused overcast daylight, damp reflections on the asphalt, no direct sun, no flash. Still, introspective, lonely and elegant city mood.
Keep face, hair, skin tone and outfit identical in every frame, stable body proportions, natural hands and fingers, smooth realistic motion, no warping of the body, crosswalk lines or buildings. No passers-by coming close to her, no cars crossing the frame. No text, no titles, no logos, no watermarks.
Keep the face, identity and look of the woman from @image 1 exactly: very fair porcelain skin, pale grey-green eyes, full natural nude-pink lips, long glossy jet-black straight hair with a center part falling past the chest, and wispy piecey bangs falling to the lashes. Dress her in the exact outfit from @image 2.
Use @image 3 ONLY for the pose, location, composition and camera angle. Do not take the model, her hair or clothes from @image 3.
MODEL (@image 1): tall, slim, long-limbed. She is the only person in the frame.
OUTFIT (@image 2): cropped caramel-tan leather moto jacket with a stand-up collar, snap tab at the throat, front zip, curved cropped hem exposing the midriff, cream-white leather panels and stripes on the shoulders, sides and sleeves; low-rise wide-leg caramel-tan leather trousers with large cream-white curved panel inserts on the thighs; cognac-brown leather belt with a square silver buckle; pointed-toe greige-taupe leather ankle boots with thin high stiletto heels. Matte natural leather texture with soft creases and visible seams. A silver ring on her finger.
POSE (@image 3): she sits on the ground and leans back into a pile of old car tires, sprawled loosely as if she just dropped there. Upper body reclined against the stacked tires, shoulders slightly raised. Both arms spread wide and draped over the tires on either side, wrists limp, fingers hanging down relaxed. Legs stretched straight out in front of her on the concrete, slightly apart, wide trousers lying in soft folds, boots pointing up and outward. Head tilted slightly, cool heavy-lidded stare straight into the lens, bored, detached, slightly defiant expression, lips closed. Long black hair falls straight down over her chest.
LOCATION (@image 3): an industrial backyard. Behind and around her, piles and stacks of worn black car tires leaning against a pale grey corrugated metal wall. The ground is old cracked grey concrete slabs with dark joints, small stones, stains and bits of moss in the cracks. No text, no logos, no brand names on the tires.
CAMERA & FRAMING: horizontal 16:9 frame, wide 24–28mm lens, camera standing above her and shooting down at a steep high angle, the whole frame tilted on a strong diagonal. Her head and torso in the upper left among the tires, her legs stretching diagonally across the frame toward the lower right, the cracked concrete filling the right side. Full body visible, everything in sharp focus.
LIGHTING: soft flat overcast daylight, no direct sun, even light on her face and outfit, soft shadows between the tires, muted palette of black rubber, concrete grey and pale metal, with the caramel and cream outfit as the main warm accent.
MOOD: cool, nonchalant, slightly rebellious, an effortless sprawl in a gritty industrial space.
STYLE: photorealistic high-end fashion editorial, crisp sharp focus on the face, outfit and boots, detailed skin, leather, rubber tread and concrete textures, clean digital image.
AVOID: changing her face from @image 1 or her outfit from @image 2, other people, readable text, logos or brand names on tires, distorted anatomy, extra legs, arms or fingers, harsh contrasty shadows, heavy grain.
Cool industrial fashion moment, one continuous take, soft overcast muted grade, photoreal high-end editorial look, slow lazy rhythm.
Animate the input image. Keep the woman's face, identity, pale skin, black hair with bangs and her caramel-and-cream leather jacket, trousers and heeled boots exactly as in the image, as well as the stacks of black tires, the corrugated metal wall, the cracked concrete, the composition and the soft daylight.
She sits half-reclined against the pile of tires, exactly as in the image: arms spread wide and draped over the tires, legs stretched out on the concrete. The camera, high above her and looking down, makes a slow, smooth arc around her of about 20–30 degrees, keeping the same distance and height. As the camera moves, she slowly turns her head to keep her cool, heavy-lidded gaze on the lens. One hand slides lazily a little along the rubber of the tire, and one leg shifts slightly on the concrete, the boot staying on the ground. Long black hair rests on her chest and moves only with her head.
Soft diffused overcast daylight, soft shadows between the tires, no direct sun, no flash. Nonchalant, slightly rebellious, effortless mood.
Keep face, hair, skin tone and outfit identical in every frame, stable body proportions, natural hands and fingers, smooth realistic motion, no warping of the legs, boots, tires or concrete cracks. No other people. No text, no titles, no logos, no brand names on tires, no watermarks.
Keep the face, identity and look of the woman from @image 1 exactly: very fair porcelain skin, pale grey-green eyes, full natural nude-pink lips, long glossy jet-black straight hair with a center part falling past the chest, and wispy piecey bangs falling to the lashes. Dress her in the exact outfit from @image 2.
Use @image 3 ONLY for the pose, location, composition and camera angle. Do not take the model, her hair or clothes from @image 3.
MODEL (@image 1): tall, slim, long-limbed. She is the only person in the frame.
OUTFIT (@image 2): cropped caramel-tan leather moto jacket with a stand-up collar, snap tab at the throat, front zip, curved cropped hem exposing the midriff, cream-white leather panels on the shoulders, sides and sleeves; low-rise wide-leg caramel-tan leather trousers with large cream-white curved panel inserts on the thighs; cognac-brown leather belt with a square silver buckle; pointed-toe greige-taupe leather ankle boots with high heels. Matte natural leather texture with soft creases and visible seams. A silver ring on her finger.
POSE (@image 3): she stands perfectly centered and facing the camera, full body, feet slightly apart, weight evenly on both legs. Right arm folded across her body, right hand gripping her left upper arm just above the elbow; left arm hanging straight down along her side, fingers relaxed. Shoulders square, head straight, cool direct stare into the lens from under the bangs, calm, guarded, emotionless expression, lips closed. Long black hair falls straight over her shoulders.
LOCATION (@image 3): an industrial lot behind a warehouse. Directly behind her, the open rear of a white box truck with the roll-up door raised: worn wooden walls and a riveted ceiling inside, a cream canvas backdrop hanging on the back wall and draped over the rear edge and the bumper down to the ground, like a makeshift photo studio. On the left, stacked weathered blue and white shipping containers with rust streaks; on the right, a long rusty red shipping container in front of a low grey-blue building. Utility poles with power lines, a floodlight pole, a cell tower and green trees against a pale sky with soft white clouds. Grey cracked asphalt in the foreground. No readable text, no logos, no numbers on the containers.
CAMERA & FRAMING: horizontal 16:9 frame, 28–35mm lens, camera at chest height, straight-on and symmetrical. The model in the exact center in full body, the open truck framing her like a box, containers balancing the left and right sides, plenty of asphalt in the foreground. Everything in sharp focus.
LIGHTING: soft bright overcast daylight, no harsh sun, even light on her face and outfit, the canvas backdrop glowing softly behind her, muted palette of cream, rust red, faded blue, grey asphalt and caramel leather.
MOOD: cool, calm, confident, a raw industrial fashion campaign, studio elegance brought into a gritty loading yard.
STYLE: photorealistic high-end fashion editorial, crisp sharp focus on the face, outfit and boots, detailed skin, leather, canvas, rust and asphalt textures, clean digital image.
AVOID: changing her face from @image 1 or her outfit from @image 2, other people, readable text, logos, numbers or labels on containers and truck, distorted anatomy, extra fingers or hands, harsh contrasty shadows, heavy grain.
Cool industrial fashion campaign moment, one continuous take, soft bright overcast muted grade, photoreal high-end editorial look, slow calm rhythm.
Animate the input image. Keep the woman's face, identity, pale skin, black hair with bangs and her caramel-and-cream leather jacket, trousers and heeled boots exactly as in the image, as well as the open white box truck, the cream canvas backdrop, the shipping containers, the asphalt yard, the composition and the soft daylight.
She stands still in front of the open rear of the truck facing the camera, one arm folded across her body with her hand gripping the other arm, exactly as in the image. She barely moves: a faint, calm breath in her chest and shoulders, a rare slow blink, her cool gaze fixed on the lens. A light wind ripples the cream canvas drape inside the truck and over the bumper, and gently stirs the ends of her long black hair. The shipping containers, the truck and the poles in the background stay completely still. The camera is static with a very slow, smooth pull-back, gradually revealing a little more of the empty asphalt yard around her while she stays in the center.
Soft diffused bright overcast daylight, no harsh sun, no flash. Calm, confident, quietly powerful mood.
Keep face, hair, skin tone and outfit identical in every frame, stable body proportions, natural hands and fingers, smooth realistic motion, no warping of the truck, containers or asphalt. No other people, no vehicles moving. No text, no titles, no logos, no numbers or labels on containers, no watermarks.
Use the body, proportions and very fair porcelain skin tone of the woman from @image 1. Her face is out of frame in this shot. Dress her in the exact outfit from @image 2.
Use @image 3 ONLY for the pose, location, composition and camera angle. Do not take the model, her clothes or shoes from @image 3.
MODEL (@image 1): tall, slim, long-limbed. She is the only person in the frame.
OUTFIT (@image 2): cropped caramel-tan leather moto jacket with cream-white leather panels on the sides and sleeves, short curved hem; low-rise wide-leg caramel-tan leather trousers with large cream-white curved panel inserts on the thighs, back pockets with tan topstitching and a silver rivet; cognac-brown leather belt with a silver buckle; pointed-toe greige-taupe leather ankle boots with thin high stiletto heels and black soles. Matte natural leather texture with soft creases, folds at the knees and visible seams.
POSE (@image 3): a fashion detail shot of her crouching low on high heels, seen from the side and slightly from behind. Left leg forward, knee bent high, shin nearly vertical, pointed boot flat on the ground facing left; right leg folded back, knee low, balancing on the toe of the boot with the heel lifted, showing the black sole and the stiletto. Torso leaning forward over the front knee, left forearm resting across the knee. The jacket rides up, revealing a strip of bare lower back between the jacket hem and the belt. The wide trouser legs fold and pool over the boot shafts.
LOCATION (@image 3): an outdoor car junkyard on the edge of a city. Cracked, worn grey asphalt with gravel, small stones and debris in the foreground. Behind her, stacks of rusted wrecked cars piled on top of each other on the left, tall piles of old black tires, twisted scrap metal and rusty sheets on the right. Far in the background, a skyline of modern glass skyscrapers in soft haze. Pale white overcast sky. No text, no logos, no license plates.
CAMERA & FRAMING: horizontal 16:9 frame, ultra-wide 20–24mm lens, camera almost on the ground, low worm's-eye angle, very close to her boots. Frame cropped at the upper torso, so only the jacket hem, trousers and boots are visible; no face. The boots and asphalt texture large in the foreground, the junkyard and skyline small behind her. Sharp focus on the boots, trousers and leather details, background slightly soft.
LIGHTING: flat soft overcast daylight, no direct sun, even light on the leather, gentle soft shadows under the body, muted palette of concrete grey, rust brown and pale sky with the caramel and cream outfit as the main warm accent.
MOOD: tough, grounded, industrial fashion detail, elegance against decay and scrap metal.
STYLE: photorealistic high-end fashion editorial, product-focused detail shot, crisp sharp focus on boots and leather texture, detailed asphalt, rust and tire textures, clean digital image.
AVOID: changing her outfit from @image 2, showing the face, extra legs or feet, twisted ankles, broken heels, distorted anatomy, other people, readable text, logos, license plates, harsh contrasty shadows, heavy grain.
Tough industrial fashion detail, one continuous take, soft overcast muted grade, photoreal high-end editorial look, slow controlled rhythm.
Animate the input image. Keep the woman's body, pale skin and her caramel-and-cream leather jacket, trousers, cognac belt and stiletto ankle boots exactly as in the image, as well as the car junkyard, the stacks of tires, the distant city skyline, the cracked asphalt, the composition and the soft daylight.
She is in a deep crouch on her heels, seen from the side and slightly behind, cropped at the upper torso exactly as in the image. Her weight slowly rolls on the back foot from the toe toward the heel, then she slowly rises halfway out of the crouch in one smooth, controlled movement, her upper body moving up and out of the top edge of the frame so her face never appears. The leather trousers bunch into folds at the knees and then smooth out and straighten as her legs extend, the boots staying planted on the asphalt. The camera stays low near the ground and completely static.
Soft diffused overcast daylight, gentle soft shadows under her body, no direct sun, no flash. Grounded, strong, elegant against decay.
Keep body, skin tone and outfit identical in every frame, stable body proportions, natural ankles and legs, smooth realistic motion, no warping of the legs, boots, heels or leather. Her face never enters the frame. No other people. No text, no titles, no logos, no license plates, no watermarks.
Keep the face, identity and look of the woman from @image 1 exactly: very fair porcelain skin, pale grey-green eyes, full natural nude-pink lips, long glossy jet-black straight hair with a center part falling past the chest, and wispy piecey bangs falling to the lashes. Dress her in the exact outfit from @image 2.
MODEL (@image 1): tall, slim, long-limbed. She is the only person in the frame.
OUTFIT (@image 2): cropped caramel-tan leather moto jacket with a stand-up collar, snap tab at the throat, front zip, curved cropped hem, cream-white leather panels and stripes on the shoulders, sides and sleeves; low-rise wide-leg caramel-tan leather trousers with large cream-white curved panel inserts on the thighs and shins; cognac-brown leather belt with a square silver buckle; pointed-toe greige-taupe leather ankle boots with high heels. Matte natural leather texture with soft creases and visible seams. Silver rings on her fingers.
POSE: she stands in front of a wrecked car, one leg straight with the boot planted on the muddy ground, the other leg bent high with the knee raised and the boot resting on the front edge of the rusty hood. Torso leaning forward over the raised knee and turned slightly to the side, one hand on her hip near the belt, the other arm relaxed behind her. Head lowered and pushed forward, intense, predatory stare straight into the lens from under the bangs, brows slightly drawn together, lips closed. Long black hair falls forward over one shoulder and down her chest.
LOCATION: a car scrapyard on a grey wet day. Directly behind her, a dark navy 1990s hatchback with a rusty, paint-peeled hood, cloudy headlights and a dirty windshield. On both sides, wrecked cars stacked two high on top of each other: open hoods with exposed rusty engines, radiators and loose wires, missing bumpers, shattered spiderweb windshields, rusted frames and brake discs. Tall stacks of old black tires filling the gaps in the background, a low white industrial building far behind. Muddy wet ground in the foreground with puddles, gravel, scraps of metal and plastic debris. Pale white overcast sky. No readable text, no logos, no badges, no license plates.
CAMERA & FRAMING: horizontal 16:9 frame, wide 24mm lens, camera low at hip height, straight-on and symmetrical. The model in the center in full body, the dark car framing her from behind, the stacked wrecks on the left and right forming a corridor around her, slight wide-angle perspective at the edges. Everything in sharp focus.
LIGHTING: flat soft overcast daylight, no direct sun, even light on her face and outfit, wet reflections on car bodies and mud, muted desaturated palette of dark navy, rust brown, grey and black, with the caramel and cream outfit as the main warm accent. Slight matte film-like color with subtle texture.
MOOD: tough, fierce, rebellious fashion campaign, elegance against chaos and decay, a girl who owns the scrapyard.
STYLE: photorealistic high-end fashion editorial, crisp sharp focus on the face, outfit and boots, detailed skin, leather, rust, broken glass and mud textures, clean digital image.
AVOID: changing her face from @image 1 or her outfit from @image 2, other people, readable text, logos, car badges, license plates, distorted anatomy, extra legs or fingers, harsh contrasty shadows, heavy grain.
Fierce industrial fashion moment, one continuous take, soft overcast desaturated grade with a subtle matte film feel, photoreal high-end editorial look, slow but powerful rhythm.
Animate the input image. Keep the woman's face, identity, pale skin, black hair with bangs and her caramel-and-cream leather jacket, trousers, cognac belt and heeled boots exactly as in the image, as well as the dark rusty car behind her, the stacked wrecked cars on both sides, the tire stacks, the muddy ground, the composition and the soft daylight.
She stands in front of the rusty dark car with one boot resting on the edge of the hood, exactly as in the image. In one slow, controlled movement she lowers herself and sits down on the front edge of the rusty hood, the raised leg staying bent with the boot on the hood, the other foot on the ground, her hands resting on the hood beside her for support. As she settles, she slowly turns her gaze away from the camera and ends in a calm, cold profile, looking off to the side. A light wind barely stirs her long black hair. The camera makes a slow, powerful push-in from the wide shot to a close-up, ending on her face in profile with the wrecked cars softly blurred behind her.
Soft diffused overcast daylight, wet reflections on the car bodies and mud, no direct sun, no flash. Tough, quiet, self-assured mood, elegance among chaos and decay.
Keep face, hair, skin tone and outfit identical in every frame, stable body proportions, natural hands and fingers, smooth realistic motion, the car hood stays solid and does not bend under her, no warping of the legs, boots or cars. No other people. No text, no titles, no logos, no car badges, no license plates, no watermarks.
Keep the face, identity and look of the woman from @image 1 exactly: very fair porcelain skin, pale grey-green eyes, full natural nude-pink lips, long glossy jet-black straight hair with a center part falling past the chest, and wispy piecey bangs falling to the lashes. Dress her in the exact outfit from @image 2.
Use @image 3 ONLY for the pose, location, composition, camera angle and the fire along the concrete rim. Do not take the model, red hair, black blazer, tights, shoes or the text from @image 3.
MODEL (@image 1): tall, slim, long-limbed. She is the only person in the frame.
OUTFIT (@image 2): caramel-tan leather moto jacket with a stand-up collar, snap tab at the throat, front zip, curved hem reaching down to the belt, cream-white leather panels on the shoulders, sides and cuffs; wide-leg caramel-tan leather trousers with large cream-white curved panel inserts on the thighs; cognac-brown leather belt with a square silver buckle; pointed-toe greige-taupe leather ankle boots with thin high stiletto heels. Matte natural leather texture with soft creases and visible seams. No helmet.
POSE (@image 3): she sits on the far edge of a large round concrete pit, perfectly centered and facing the camera. Legs spread wide in a strong A-shape, hanging straight down inside the pit, boots planted firmly on the mossy ground. Arms straight and spread out to the sides, palms pressed flat on the concrete rim on both sides of her hips, shoulders slightly raised and pushed forward. Head slightly lowered, intense direct stare into the lens from under the bangs, brows slightly drawn together, cold, defiant, brooding expression, lips closed. Long black hair falls straight over her shoulders and chest.
LOCATION (@image 3): an abandoned outdoor round concrete basin, like a large circular concrete ring or dry tank. Weathered grey concrete walls with water stains and dark streaks, a thick curved rim. The ground inside is covered with patches of brown and rusty-green moss, dry straw-colored grass and small debris. Behind her, a tall old white plaster wall with long cracks, peeling paint, grey damp stains and moss at its base. Low orange flames burn along the near edge of the concrete rim in the foreground, spreading from the lower left and lower right corners of the frame. No text, no logos.
CAMERA & FRAMING: horizontal 16:9 frame, 28–35mm lens, camera standing at the near rim of the pit at eye level, slightly above her, frontal and symmetrical. The model in the exact center, the curve of the concrete ring wrapping around her, flames in the bottom corners of the foreground, white wall filling the top half. Full body visible, sharp from foreground to background.
LIGHTING: flat soft overcast daylight, no direct sun, even light on the face and outfit, muted desaturated palette of off-white, concrete grey, moss brown, caramel and black, the only warm accent coming from the flames.
MOOD: raw, tense, confrontational fashion campaign, quiet aggression in a desolate industrial space.
STYLE: photorealistic high-end fashion campaign, crisp sharp focus on the face, leather outfit and boots, detailed skin, concrete, moss and leather texture, clean digital image.
AVOID: changing her face from @image 1 or her outfit from @image 2, motorcycle helmet, red hair, black blazer, tights or stockings, snakeskin shoes, any text or brand name from @image 3, extra people, extra legs or fingers, distorted anatomy, harsh contrasty shadows, grain, logos.
Raw tense fashion campaign moment, one continuous take, soft overcast desaturated grade with warm firelight accents, photoreal high-end editorial look, slow building rhythm.
Animate the input image. Keep the woman's face, identity, pale skin, black hair with bangs and her caramel-and-cream leather jacket, trousers and heeled boots exactly as in the image, as well as the round concrete basin, the mossy ground, the cracked white wall, the composition and the soft daylight.
She sits on the far edge of the concrete basin facing the camera, legs apart, palms pressed on the rim, exactly as in the image. She barely moves: a calm, steady breath in her chest and shoulders, a rare slow blink, her intense gaze fixed on the lens. The low flames along the near rim in the foreground flare up and grow, their tongues dancing and licking along the concrete edge, while staying on the rim and never spreading toward her. A soft warm orange glow from the fire flickers gently across her trousers and boots and the concrete. The camera is static with a very slow push-in toward her. Only at the very end, the image smoothly fades to black.
Soft diffused overcast daylight with flickering warm firelight, no direct sun, no flash. Quiet, defiant, slowly building tension.
Keep face, hair, skin tone and outfit identical in every frame, stable body proportions, natural hands and fingers, smooth realistic motion, realistic fire behavior, no warping of the body, concrete or wall. No smoke covering her, no other people. No text, no titles, no logos, no watermarks.